Before Class2026 · Re:form
Laurel2026 · To confirm
Found Object2026 · To confirm
The Presentation2026 · To confirm
Red Gem2026 · To confirm
Night Garage2026 · To confirm
MPZ
- Year
- Client
- Role
- Tools
- Duration
BeforeAfter01
The first generation
Placeholder. Drag to compare the raw generation with the finished frame. The "before" here is the finished frame degraded by the page, standing in until Michel supplies a real pair.
02
Light and material
Placeholder. What was corrected by hand in this shot, and why.
03
The cut
Placeholder. How the shots were ordered into a film.
BeforeAfter01
The first generation
Placeholder. Drag to compare the raw generation with the finished frame. The "before" here is the finished frame degraded by the page, standing in until Michel supplies a real pair.
02
Light and material
Placeholder. What was corrected by hand in this shot, and why.
03
The cut
Placeholder. How the shots were ordered into a film.
BeforeAfter01
The first generation
Placeholder. Drag to compare the raw generation with the finished frame. The "before" here is the finished frame degraded by the page, standing in until Michel supplies a real pair.
02
Light and material
Placeholder. What was corrected by hand in this shot, and why.
03
The cut
Placeholder. How the shots were ordered into a film.
BeforeAfter01
The first generation
Placeholder. Drag to compare the raw generation with the finished frame. The "before" here is the finished frame degraded by the page, standing in until Michel supplies a real pair.
02
Light and material
Placeholder. What was corrected by hand in this shot, and why.
03
The cut
Placeholder. How the shots were ordered into a film.
BeforeAfter01
The first generation
Placeholder. Drag to compare the raw generation with the finished frame. The "before" here is the finished frame degraded by the page, standing in until Michel supplies a real pair.
02
Light and material
Placeholder. What was corrected by hand in this shot, and why.
03
The cut
Placeholder. How the shots were ordered into a film.
BeforeAfter01
The first generation
Placeholder. Drag to compare the raw generation with the finished frame. The "before" here is the finished frame degraded by the page, standing in until Michel supplies a real pair.
02
Light and material
Placeholder. What was corrected by hand in this shot, and why.
03
The cut
Placeholder. How the shots were ordered into a film.
Info
AI film that doesn't look like AI.
Anyone can generate a clip now, and most of them look alike: plastic light, drifting faces, shots that don't cut together. Fixing that takes a photographer, a retoucher and an editor. Michel Passos Zylberberg has been all three for more than twenty years.
He treats a generated shot like a real one: the light has to make sense, the materials have to hold up, and the cut has to tell a story. It began with restoring old photographs, grew into retelling Flamengo's history as metaversoFla, reposted by Zico himself, and is now his daily work.
- Services
- AI film for brands and agencies, AI retouching and restoration
- Works
- Remotely, worldwide
- Languages
- English, Portuguese, Italian
Draft biography, to confirm.
Contact
Send me the AI video that didn't work.
hello@example.comPlaceholder contact details.